AMPLINEX issue 001 was published in September 1987. Each AMPLINEX magazine is stored as a 200K single-sided 80-track disk image file (.ssd file type). The image can be used to create disks for a BBC Micro or can be loaded into a BBC emulator. For the disks to run, the BBC (real or emulated) must have an AMPLE Nucleus ROM installed and be running the Hybrid Music System.
TOBIN Music System
Roy Follett
Members who have tried and failed to write a tune because
they lack the basic knowledge of harmony, would be well advised to investigate
a piece of software devised by Candida Tobin (Hon. FTCL, LTCL), and written by Chris
Dell and Rodney Pettipher. This is available for the Beeb and uses its internal
sound chip.
This program enables you to write a melody line, using the
correct notes for the chords, insert passing notes, and repeat sections. The
software will not allow you to use a wrong note. When played back, the program
puts in a rudimentary bass line. I defy anyone to make a bad tune with this
software. Using the same instructions you can then write a bass line yourself.
Just follow the note instructions as before.
Having written both lines, transfer them manually (having
first obtained a printout) into Ample by whatever method you normally use
(STAFF or NOTEPAD), not forgetting to transpose the bass line down an octave.
Then combine them as a two part piece and you will find that they will harmonise.
After that embellish and arrange as you will. Altogether a very useful piece of
software.
The TOBIN Music System costs £12.45 inclusive of postage and
packing.
Further details can be obtained from:
Helicon Press
Knight Street
Sawbridgeworth
Hertfordshire
CM21 9AX
Knight Street
Sawbridgeworth
Hertfordshire
CM21 9AX
Published in AMPLINEX 001,
September1987
COSMIX & Ample Bytes Back
Roy Follett
Having heard, about five weeks ago, that Hybrid Technology
were about to publish a couple of discs, one containing a collection of tunes
by Pilgrim Beart called Cosmix, and another called Ample Bytes Back by David Reed,
I sent off for them. Now at long last I have received them.
There were no printed instructions on how to load the discs
but entering *LIST !BOOT revealed all.
1) Start up from your Studio 5000 System Disc
2) Put this disc in the drive
3) Press f9
2) Put this disc in the drive
3) Press f9
In other words, the "jukebox" method.
COSMIX by Pilgrim Beart
For your money you will get twelve tunes and approximately
24 minutes of first class entertainment. Starting with the Spacephone, with its
random messages, right through to the piece 'Xpach', written 'for Mum and Dad',
you will be presented with the most inventive music and programming yet heard
in AMPLE. Even the copyright logo is a red pulsar.
Each tune has a message which can be seen by typing 'info'.
Some went right over my head. I did not understand what he was trying to say.
The disc is full of effects and instruments that are worth
further study. For instance 'drum' in the tune 'Furious'. Study that one in
Notepad. Also the fade in 'Cry' - this is carried out by the use of a 'conductor'
word.
Two small criticisms. Firstly, the warning to ‘STAND BACK Starting
Time-Reversal Module’ became a trifle wearisome. It was only after listing the
'info' word in the Spacephone program that I discovered (rather too late) that
pressing SHIFT after dialling the number avoided this.
Secondly, listening to the piece called 'Mixican', I was
sure that I had heard the tune before. Eventually I tracked it down to an
earlier piece of AMPLE music; I am not going to say what it is familiar to, but
I wonder if anyone else has the same feeling about this tune?
AMPLE BYTES BACK by David Reed
This disc contains 16 tunes, of about 39 minutes duration,
all of which will be familiar, starting with the Flight of the Bumble Bee, and
including ' When I am cleaning windows' by Goerge Formby (yes GOerge).
'Flight' has a very active bee, flying about the stereo
stage, and also seems to fly towards, and then away from you.
I liked the dynamics in Arabesque. Diminuendos and
crescendos do not seem to be used as much as they ought, and this piece is a
very good example of their use.
The two discs are completely different, and any comparison
would be wrong. If I wanted a good selection of tunes, with good arrangements
and instruments, I would pick Ample Bytes Back. But if I wanted original tunes with
good arrangements and instruments, then it would be COSMIX. I bought both, and
I am very glad I did.
In my opinion at £4.95 each, they represent good value for
money and recommend you rush your cheque off immediately. I just hope that you don't
have to wait as long as I did.
"In Concert" from
the COSMIX album reviewed above is included in this issue in the Music section.
This has been provided by Hybrid Technology as a promotional feature.
Published in AMPLINEX 001,
September1987
Staff Printout
Roy Follett
For new owners of Music 4000 keyboard there is an addition
to the supplied software of a printout facility, within the STAFF module. As
far as I am concerned this fills a long felt want; I never found a
straightforward screen dump satisfactory. To use this new facility you must
have an Epson compatible printer (in particular, one that supports bit-image
graphic mode).
One STAFF screenful equals half the width of the paper, so
entering a single PRINT command, prints two screenfuls. To print more, enter
TAB, CTRL right arrow twice, TAB, PRINT <return>. This will do two more screenfuls.
Continue in this manner until all is printed. Nothing could be simpler. Extremely
easy to use and very fast to print out.
Existing owners of the Music 4000 can get an upgrade by
sending their Studio 5000-4 Issue disc, in packaging suitable for its return,
together with a self-addressed and a stamped label and a cheque for £5 to
Hybrid Technology.
Their address is:
Hybrid Technology Ltd
Unit 3
Robert Davies Court
Nuffield Road
Cambridge CB4 1TP
Unit 3
Robert Davies Court
Nuffield Road
Cambridge CB4 1TP
Note for BBC Model B owners
The Studio 5000-4 system supplied with the Music 4000
keyboard reduces user memory by 1500 bytes compared with the Studio 5000
system. Therefore, use of the Staff Editor with the Studio 5000-4 system may
leave insufficient memory to load many programs and make the Staff Printing
utility (part of the Staff Editor module) unusable except with small programs.
Printing of larger programs could only be achieved by splitting such programs into
small parts.
Hybrid Technology have no plans to integrate the Staff
printing utility into the Studio 5000 system.
Published in AMPLINEX 001,
September1987
The Acorn User Show, Barbican, London 24th - 26th July 1987
Roy Follett
For users of the Music 500 and 5000 this was to be more of a
showdown than a show. After several months of competitive and sometimes
acrimonious advertising between newly divorced designers/manufacturers Hybrid
and distributors Peartree Computers, this was to be the place where both were
to stake their claim to the Music 500(0) market.
Peartree's campaign had something of a false start when
Hybrid objected to their use of the name Music 7000 to promote their
synthesiser and software package.
In the flurry of assertive press releases and advertising
that followed neither side could bring itself to name the other - Hybrid
referring to Peartree as 'the advertiser' and Peartree to Hybrid as 'other manufacturers'.
Both sides had chosen the Acorn User show to demonstrate the
superiority of their product. Peartree promised to 'solve all the old problems'
of the Music 5000 for almost half the price. Hybrid promised a host of new
hardware and software to expand the system.
Over at the Peartree stand things looked a little awkward.
Their somewhat defensive attitude was perhaps understandable in the light of their
enforced change of product name (the advertised Music 7000 had now transformed
into the Music 87) coupled with the fact that they hadn't actually got the
software available as promised. They were reduced to blaming the software house
writing the software for the delay, whilst trying to sound as if everything was
really under control and that there was no reason not to buy the hardware.
A working demo of part of the new Peartree software was on
display but perhaps the most interesting question - whether and how it could
interface to AMPLE - could not be answered by the staff on the stand.
Over at the Hybrid stand things looked a lot more promising.
Although, as usual, it was difficult to do more than peer over someone else's shoulders
at Chris Jordan amidst a stack of hardware, the promised MIDI interface and
amplifier were there - though there was little to learn by looking at them.
More details could be gleaned, however, from a glossy eight
page hand-out which was distributed at the show and had details of all the new hardware.
The Music 2000 MIDI interface is housed in the standard Music
500(0) sized case with three LEDs on the front. These indicate activity on the three
MIDI output channels which, along with a fourth pulse clock output, have
sockets at the back of the unit. The Music 2000 connects to the back of the
Music 5000 via a ribbon cable and draws its power from the computer.
The software driving the MIDI interface is loaded as a
module into the Studio 5000 environment and allows up to 32 MIDI voices to be
controlled via AMPLE. New AMPLE words allow the assignment of voices and parts
to attached MIDI instruments and the control of the instrument's settings.
The Music 2000 on the stand was hooked up to a Roland CZ505
drum machine but there seemed to be a lack of music software to demonstrate its
integration with the Music 5000.
The Music 1000 amplifier (again in a Music 500(0) sized
case) seems to have been designed with school users in mind, providing three
headphone outputs in addition to its 8 watt outputs for speakers. At the show
it was being used as a pre-amp for a larger amplifier via an output designed
also to feed into tape recorders and mixing desks.
The only disappointment was the absence of the
waveform/envelope designer which was not ready for the show and for which no
release date or price was given.
Printout from the new Staff printing programme was to be
seen, and was being offered to Keyboard 4000 owners as an upgrade for the
'nominal' fee of £5.00 (see review elsewhere in News & Reviews section).
The AMPLE Programmer's Guide was not available at the show,
but was promised for September. Pilgrim Beart's COSMIX album of AMPLE music on disc
was being used for most of the demonstrations with the man himself helping
behind the stand.
The prices of the new Hybrid products (including VAT and
P&P) are:
Music 1000 Amplifier
£161.00
Music 2000 MIDI interface £161.00
AMPLE Nucleus Programmer's Guide £16.00
COSMIX disc £4.95
Ample Bytes Back disc £4.95
Music 2000 MIDI interface £161.00
AMPLE Nucleus Programmer's Guide £16.00
COSMIX disc £4.95
Ample Bytes Back disc £4.95
More details can be obtained from:
Hybrid Technology Ltd
Unit 3
Robert Davies Court
Nuffield Road
Cambridge CB4 1TP
(0223) 316910
Unit 3
Robert Davies Court
Nuffield Road
Cambridge CB4 1TP
(0223) 316910
As we went 'to press' Peartree Computers were promising
shipment of the first Music 87 software by Friday 18th September. If any member
has a positive sighting (or better still a review) before the November issue of
AMPLINEX please get in touch.
Published in AMPLINEX 001,
September1987
In Concert
by Pilgrim BeartFrom the album 'COSMIX' Courtesy of Hybrid Technology |
Source: AMPLINEX 001 disk, file $.CONCERT |
Published in AMPLINEX 001, September 1987
Supplementary index to Music 5000 Synthesiser User Guide
Roy Follett
A
a to g 101,115
Above the staff 34
A to G notes 101,114
Accent ' 101
Accent level 'L 117
Accents 39
Accidentals 49,28
Adding standard words 79
Adjusting whilst playing 72
Adjust numbers 63
Adjusting flags 63
AMP 64
Amplitude envelopes 129
AMPLE commands 93
AMPLE notation 45,52
AMPLE restart 93
Amplitude 64
Ascending pitch 114
Autopan 125
Above the staff 34
A to G notes 101,114
Accent ' 101
Accent level 'L 117
Accents 39
Accidentals 49,28
Adding standard words 79
Adjusting whilst playing 72
Adjust numbers 63
Adjusting flags 63
AMP 64
Amplitude envelopes 129
AMPLE commands 93
AMPLE notation 45,52
AMPLE restart 93
Amplitude 64
Ascending pitch 114
Autopan 125
B
b 150
Back hold (\) 111
Bad bar 144
Bad context 144
Bad element 145
Bad hex 145
Bad MODE 145
Bad name 145
Bad player number 145
Bad program 145
Bad ROM 145
Bad string 145
Bad structure 145
BAR 101,113,115
Bars 49
Basic music word 46
Bend 132
Block editing 29
Broken chords 104
Borrowed instruments 53
Brackets 83
Brassy 139
Break 10
Bright 127
Broad 127
Brush note 23
Building pieces 77
Burst 129
Back hold (\) 111
Bad bar 144
Bad context 144
Bad element 145
Bad hex 145
Bad MODE 145
Bad name 145
Bad player number 145
Bad program 145
Bad ROM 145
Bad string 145
Bad structure 145
BAR 101,113,115
Bars 49
Basic music word 46
Bend 132
Block editing 29
Broken chords 104
Borrowed instruments 53
Brackets 83
Brassy 139
Break 10
Bright 127
Broad 127
Brush note 23
Building pieces 77
Burst 129
C
c 150
Calling Notepad 46
Cassette 14
CHAIN 9
Change settings 59
Changing mixer 82
Chords 36,50,1
Chords leading 104
Chords overlap 104
CLEAR 23,93,127
Click 129
Commands 11
COMPACT 94
Complete tunes 30
Concurrency 12
Conductor 121
Continuation instruments 74
Contrasting channels 66
Copy 29,149
Create word 93
CTRL left/right 149
CTRL up/down 149
Cycle 132
Cymbal 137
Calling Notepad 46
Cassette 14
CHAIN 9
Change settings 59
Changing mixer 82
Chords 36,50,1
Chords leading 104
Chords overlap 104
CLEAR 23,93,127
Click 129
Commands 11
COMPACT 94
Complete tunes 30
Concurrency 12
Conductor 121
Continuation instruments 74
Contrasting channels 66
Copy 29,149
Create word 93
CTRL left/right 149
CTRL up/down 149
Cycle 132
Cymbal 137
D
d 150
Decrease level 119
Decrease tempo 122
Deepvib 132
Definition 12
Defining own instruments 34
DELETE 30,94,149
Delvib 132
Descending pitch 115
Designing panels 73
DETUNE 85
Dictionary of words 20
Digisyn 139
DISPLAY 78,94,98
Division by zero 145
Dotted notes 31
Down 149
Drop 132
Drum 137
Drum instrument 66
Duplet 106
Duplicate name 148
Dynamic level =L 117
Dynamics 39
Decrease level 119
Decrease tempo 122
Deepvib 132
Definition 12
Defining own instruments 34
DELETE 30,94,149
Delvib 132
Descending pitch 115
Designing panels 73
DETUNE 85
Dictionary of words 20
Digisyn 139
DISPLAY 78,94,98
Division by zero 145
Dotted notes 31
Down 149
Drop 132
Drum 137
Drum instrument 66
Duplet 106
Duplicate name 148
Dynamic level =L 117
Dynamics 39
E
e 150
Echo 53,125
Echocrash 139
Echohit 129
Editing a word 25,44
Editing text 41
Editor controls 149
Editors 13
Electom 139
Elguit 137
Elstring 139
End line 36,82
Entering notes 22
Entering text 42
Entering tune 22
Epiano 139
Errors 143
ESCAPE 146,149
EVEN CHAN 75,134
EVERY CHAN 134
EVERY (OR ON) 109
Examine instrument 57
Experiment with echo 54
Extra number 146
Extra string 146
Echo 53,125
Echocrash 139
Echohit 129
Editing a word 25,44
Editing text 41
Editor controls 149
Editors 13
Electom 139
Elguit 137
Elstring 139
End line 36,82
Entering notes 22
Entering text 42
Entering tune 22
Epiano 139
Errors 143
ESCAPE 146,149
EVEN CHAN 75,134
EVERY CHAN 134
EVERY (OR ON) 109
Examine instrument 57
Experiment with echo 54
Extra number 146
Extra string 146
F
f 150
flag INVERT 136
flag PHSET 136
flag PSENS 136
flag RM 135
flag SYNC 135
FIND 24,34,94
Flag instruction 134
Flageo 140
Flat 132
Flatten (-) 106
FM 70
FOR( )FOR 82
Frembass 140
Frequency modulation 70
Fuzzfade 140
flag INVERT 136
flag PHSET 136
flag PSENS 136
flag RM 135
flag SYNC 135
FIND 24,34,94
Flag instruction 134
Flageo 140
Flat 132
Flatten (-) 106
FM 70
FOR( )FOR 82
Frembass 140
Frequency modulation 70
Fuzzfade 140
G
G 150
Gate period 126
GET 94
Gradual changes 56
Groups 19
Gate period 126
GET 94
Gradual changes 56
Groups 19
H
Hard 127
Harps 140
Harps4 140
High 128
Hit (X) 103
Hold 47
Hold note (/) 107
Hollow 128
Harps 140
Harps4 140
High 128
Hit (X) 103
Hold 47
Hold note (/) 107
Hollow 128
I
I 83
In use 146
Increase level 118
Increase tempo 120
Instantaneous changes 56
Instruments 137
Ironpipe 137
Items 29
In use 146
Increase level 118
Increase tempo 120
Instantaneous changes 56
Instruments 137
Ironpipe 137
Items 29
J
Jukebox 9,87
K
k 150
K( )K 114
Keeping the mix 17
Key signature 28,49,116
K( )K 114
Keeping the mix 17
Key signature 28,49,116
L
Laserpan 140
Leaving out players 79
Legato 35,51
Left 149
Length setting 46
Live mix 17
LOAD 95
Long 130
Len 39,126
Leaving out players 79
Legato 35,51
Left 149
Length setting 46
Live mix 17
LOAD 95
Long 130
Len 39,126
M
M5MIX 83
Main 95
Main menu 10
MAKE 17,25,95
Making a word 24,43,48,60
Making instruments 57
Making menus 87
Many-channel instruments 75
Mark end of bar 113
Marking STAFF 52
MEM 95
Memory map 90
Memory usage 89
MENU 95
MENUDISP 87,96
Metal 128
Metalphase 141
Metclick 141
Mistake 146
Mix displays 83
Mixing pieces 15
Mixing desk 11,15,150
Mixing desk screen 16
Modifiers 35
Modifying instruments 61
Modifying panels 73
Modulation 67
Modules 13
Moog 137
Moving about staff 29
MPREFIX 88
Multiple mixes 19
Multipart piece 21
Music on staff 21
Music words 101
Main 95
Main menu 10
MAKE 17,25,95
Making a word 24,43,48,60
Making instruments 57
Making menus 87
Many-channel instruments 75
Mark end of bar 113
Marking STAFF 52
MEM 95
Memory map 90
Memory usage 89
MENU 95
MENUDISP 87,96
Metal 128
Metalphase 141
Metclick 141
Mistake 146
Mix displays 83
Mixing pieces 15
Mixing desk 11,15,150
Mixing desk screen 16
Modifiers 35
Modifying instruments 61
Modifying panels 73
Modulation 67
Modules 13
Moog 137
Moving about staff 29
MPREFIX 88
Multiple mixes 19
Multipart piece 21
Music on staff 21
Music words 101
N
NAME 24,96
Naming a word 43
Naturalise (=) 109
Negative Len 33,126
Negative number 106
NEW 96
Newword 43
No number 146
No room 146
No string 147
No such item 147
Noise 141
Noise sounds 69
Note style 32
Note values 105
Notepad 11,41,149
Notes 46
Number 144
Number instruction 134
Numbers 1 to 8 150
Number FM 135
Number OFFSET 135
Number PAIR CHAN 134
Number PITCH 136
Number PITCHF 136
Number POS 136
Number SHIFT 135
Naming a word 43
Naturalise (=) 109
Negative Len 33,126
Negative number 106
NEW 96
Newword 43
No number 146
No room 146
No string 147
No such item 147
Noise 141
Noise sounds 69
Note style 32
Note values 105
Notepad 11,41,149
Notes 46
Number 144
Number instruction 134
Numbers 1 to 8 150
Number FM 135
Number OFFSET 135
Number PAIR CHAN 134
Number PITCH 136
Number PITCHF 136
Number POS 136
Number SHIFT 135
O
Octave setting 46
ODD CHAN 75,134
OFF Slide 125
OFFSET 64
ON CHANS 134
ON Slide 125
ON/OFF 130
Option lines 87
Organ 137
ODD CHAN 75,134
OFF Slide 125
OFFSET 64
ON CHANS 134
ON Slide 125
ON/OFF 130
Option lines 87
Organ 137
P
P 83
Panflute 137
Painting a note 23
PAUSE 81
Pause and fast 18
Peaked 130
Perc 37,126
Percussion 37
Percuss 130
Percussion pattern 38
Percussion scores 55
Percussion voices 38
Phase setting 65
PHSET 68
Pipes 128
Pitch 105,123
Pitch envelopes 132
PLAY 97
Play chord rest 112
Play rest (^) 112
Playing a tune 24
Playing chords 36
Playing instruments 58
Playing on mixing desk 16
POS 72
Positive Len 33
Pow 133
Preset instruments 137
PREPARE 89
Programs AND words 12
Puff 130
Pure 128
Pwmbass 141
Panflute 137
Painting a note 23
PAUSE 81
Pause and fast 18
Peaked 130
Perc 37,126
Percussion 37
Percuss 130
Percussion pattern 38
Percussion scores 55
Percussion voices 38
Phase setting 65
PHSET 68
Pipes 128
Pitch 105,123
Pitch envelopes 132
PLAY 97
Play chord rest 112
Play rest (^) 112
Playing a tune 24
Playing chords 36
Playing instruments 58
Playing on mixing desk 16
POS 72
Positive Len 33
Pow 133
Preset instruments 137
PREPARE 89
Programs AND words 12
Puff 130
Pure 128
Pwmbass 141
Q
q 150
QUIT 97
QUIT 97
R
Ramp 133
Ready 97
Reedy 128
Relative change 56
RENAME 98
Rest 47
Rests 26
RETGATE 68
RETURN 150
Reverse 130
Right 149
Ring modulation 67
Ringsyn 138
Rise 133
RM 68
Robovox 141
Rom compatibility 90
Round 128
RUN 77,98
Ready 97
Reedy 128
Relative change 56
RENAME 98
Rest 47
Rests 26
RETGATE 68
RETURN 150
Reverse 130
Right 149
Ring modulation 67
Ringsyn 138
Rise 133
RM 68
Robovox 141
Rom compatibility 90
Round 128
RUN 77,98
S
SPACE 150
Spaces 29
SAVE 98
SCORE 101,115,119,120
SCORE (1;) 104
Score word 24
Sections 80
Separate files 88
Set length (,) 105
Set music voice 108
Set octave 108
Set tempo 120
Set up new mix 78
Shadow ram 89
SHARE 99
Sharp 129
Sharp (+) 105
SHIFT 64
Shift copy 149
Shift up/down 150
Short 130
SHOW 99
Simple pieces 77
SIMPLEACT 119
Simpleins 138
Singsaw 141
Skipping 80
Slapbass 138
Slide 125
Slowvib 133
Slur next note 113
Slurs 35,51
Snare 141
Soft 130
Sound instruction 127
Space 47
Spaces 29
Special effects 125
Spike 131
Staff editor 11,21,149
Staff notation 52
Standard words 79
Stereo instruments 71
Stopping 80
Strike 131
Sub mixes 82
Sub-sections 81
Sub-unmix 84
Summary of modifiers 35
Sweep 133
Swell 131
Swellah 142
Symbol mode 150
SYNC 71
Syncer 70,128
Synchronisation 69
Syndecay 142
Spaces 29
SAVE 98
SCORE 101,115,119,120
SCORE (1;) 104
Score word 24
Sections 80
Separate files 88
Set length (,) 105
Set music voice 108
Set octave 108
Set tempo 120
Set up new mix 78
Shadow ram 89
SHARE 99
Sharp 129
Sharp (+) 105
SHIFT 64
Shift copy 149
Shift up/down 150
Short 130
SHOW 99
Simple pieces 77
SIMPLEACT 119
Simpleins 138
Singsaw 141
Skipping 80
Slapbass 138
Slide 125
Slowvib 133
Slur next note 113
Slurs 35,51
Snare 141
Soft 130
Sound instruction 127
Space 47
Spaces 29
Special effects 125
Spike 131
Staff editor 11,21,149
Staff notation 52
Standard words 79
Stereo instruments 71
Stopping 80
Strike 131
Sub mixes 82
Sub-sections 81
Sub-unmix 84
Summary of modifiers 35
Sweep 133
Swell 131
Swellah 142
Symbol mode 150
SYNC 71
Syncer 70,128
Synchronisation 69
Syndecay 142
T
t 150
Tailed 131
Tarimba 142
Tempo and tune 18
Ties 30
Time signatures 49
Time signatures and bar lines 26,27
Titling 77
Too many chars 148
Too many strings 148
Too many words 148
Too big 147
Too many CHANS 148
Too many VOICES 148
Too many LEVELS 148
Trans 85
Transposition 40
Transposition @ 110
Treble/bass clef 108
Tremelo 131
Trill 133
Triplet 106
Triplets/duplets 31
TRY 68
Trying envelope 60
Trying notes 61
Trying out music 47
Trying other pieces 20
Trying out mixing desk 15
Trying waveforms 60
Two channel instrument 62
TYPE 34,99
Type in instruments 138
Tailed 131
Tarimba 142
Tempo and tune 18
Ties 30
Time signatures 49
Time signatures and bar lines 26,27
Titling 77
Too many chars 148
Too many strings 148
Too many words 148
Too big 147
Too many CHANS 148
Too many VOICES 148
Too many LEVELS 148
Trans 85
Transposition 40
Transposition @ 110
Treble/bass clef 108
Tremelo 131
Trill 133
Triplet 106
Triplets/duplets 31
TRY 68
Trying envelope 60
Trying notes 61
Trying out music 47
Trying other pieces 20
Trying out mixing desk 15
Trying waveforms 60
Two channel instrument 62
TYPE 34,99
Type in instruments 138
U
UMAKE 84
Unmixes 84
Up 149
Upright 138
User words 12
Using Echo 55
Unmixes 84
Up 149
Upright 138
User words 12
Using Echo 55
V
V 83
Verylong 129
Vibglock 138
Vibrato 133
VOICE 99
VOICES 100
Verylong 129
Vibglock 138
Vibrato 133
VOICE 99
VOICES 100
W
Warble 132
Warmsus 142
Watery 129
Waveforms 127
Wha 138
Woodchime 142
WORD 12
Wow 134
WRITE 100
Warmsus 142
Watery 129
Waveforms 127
Wha 138
Woodchime 142
WORD 12
Wow 134
WRITE 100
X
X Play hit 122
Y
Yakbell 138
Z
Zap 134
Others
! 101,11
!BOOT FILE 88
' 101
( 102
+ 150
+L 118
+T 120
- 150
-L 119
-T 122
. 150
/ 150
/(//) 103
1 CHAN 134
1 CHANS 134
2 150
2 CHAN 134
2 CHANS 134
3 150
= 150
=T 120
@ 36,110,150
^ 150
^(^^) 103
!BOOT FILE 88
' 101
( 102
+ 150
+L 118
+T 120
- 150
-L 119
-T 122
. 150
/ 150
/(//) 103
1 CHAN 134
1 CHANS 134
2 150
2 CHAN 134
2 CHANS 134
3 150
= 150
=T 120
@ 36,110,150
^ 150
^(^^) 103
Published in AMPLINEX 001, September 1987
Notes on Index
Roy Follett
'Index' is a text file containing an extensive index for the
Music 5000 Synthesiser User Guide.
The index provided in the guide is rather limited (only 160
entries for as many pages) and this is an attempt to make reference easier.
In the file the entries are arranged alphabetically, one on
each line, showing the subject followed by its page reference(s). There is a
three line gap between each letter section. The middle line of the three gives
the heading for the next section.
There are no control codes contained in the file and it can
be reformatted using a word processor if required.
Published in AMPLINEX 001, September 1987
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