ROM compatibility
This issue's Hints and Tips starts with some further
responses to our request for details of ROMs which do or do not work with
AMPLE.
N R Varley
I have had problems with AMPLE pieces crashing for no
apparent reason. This I have now narrowed down to one of my ROMs. This is the
Oxford Pascal V2.1. When it has been disabled it causes no further headaches.
Incidentally this ROM has caused me problems with other software, e.g. Repton
2.
To your list of well-behaved ROMs I can add the following:
Floppy-wise Plus 1.9
Slave 1.34
Vine Micros Replay System
Acorn Forth 1.03
Watford Quest Paint 1.10
Watford Dumpout 3.2
Slave 1.34
Vine Micros Replay System
Acorn Forth 1.03
Watford Quest Paint 1.10
Watford Dumpout 3.2
Alan Mothersole
Here are some more to add to your list of AMPLE-compatible
ROMs:
(on BBC B and Master 128)
AMX Mouse Support V3.61 (Super Art)
AMX Stop Press 1.9
AMX Stop Press Support 1.9
The BASIC Editor 1.32
ViewSheet 1.0
ADT 1.50
Dumpmaster 2.03
DFS 2.26
AMX Mouse Support V3.61 (Super Art)
AMX Stop Press 1.9
AMX Stop Press Support 1.9
The BASIC Editor 1.32
ViewSheet 1.0
ADT 1.50
Dumpmaster 2.03
DFS 2.26
Not AMPLE-compatible:
(on Master 128 - not tested on BBC B)
PMS NTQ ROM - When using the STAFF printout routine from the Music 4000 the music is printed OK but on returning to the screen the music has vanished!
PMS NTQ ROM - When using the STAFF printout routine from the Music 4000 the music is printed OK but on returning to the screen the music has vanished!
Patrick Black
One problem I have come across is not with ROMs, but with
the way I installed them. I have a Care cartridge socket and several ROMs in cartridges.
With a Solidisk 2Meg128k board it worked well, but when I replaced this with an
Integra-B board from Computech, AMPLE went haywire.
The Care cartridge was plugged into ROM socket 0 on the BBC
main board - and that was the problem. Once I'd moved it to the lowest priority
socket on the Integra-B, AMPLE worked perfectly.
By the way, add the Integra-B board to the list of those on
which you can use the Shadow RAM facility. I had other teething problems with
it, but full marks to Computech for the work they put in to solve them. Their
latest issue of controlling software works a treat with AMPLE.
Double keyboard voices
Ken Hughes
To play two different instruments together in a music part
you can simply use two parts with different instruments on them to play the
same piece; but how can you play two different instruments together on the Music
4000 keyboard?
One answer is as follows: press f9 to call up the Jukebox
program and load 'Keyboard-general sounds'. Press f2 to enter text mode and
edit KEYB to read as shown below,
______________________________________
KEYSET 8 KEYS 8 VOICES
0 SHARE 2 VOICES
1 VOICE Simpleins 2 VOICE Upright
2 VOICE -12 TRANS 0 REDUCE 0 0 Spread
16 Scale ON Expand OFF Split
______________________________________
(Note: Expand is ON)
KEYSET 8 KEYS 8 VOICES
0 SHARE 2 VOICES
1 VOICE Simpleins 2 VOICE Upright
2 VOICE -12 TRANS 0 REDUCE 0 0 Spread
16 Scale ON Expand OFF Split
______________________________________
(Note: Expand is ON)
and MAKE the word.
Go back to panel mode and press f1 (play). You may now
select any two voices to play together. Press the sustain pedal and, whilst
keeping it pressed, press two notes on the Music 4000 keyboard, such as Middle
C and the C above it, together. Release the pedal. Both instruments will now
sound together when a note is played on the keyboard.
Unfortunately, it is only monophonic and you may need to
enter 1 KEYS in command mode to avoid lost notes. The volume of VOICE 2 can be
lowered by using the Reduce control, or transposed to another octave with the TRANS
control. To cancel the effect just press the sustain pedal.
Synchronising the Music 5000 to tape
Stewart M Wilkie
A simple method of synchronising two separate programs to
tape can be used when expensive multi-track recording equipment is not
available. This manual method is possible because of the instantaneous effect
of the 'PAUSE' facility (controlled by the spacebar) in the Mixing Desk.
Using an old 4-track tape recorder with a pre-amp/headphone
for monitoring I have successfully synchronised 16 (two-channel) voices on
tape. I have then transferred this to cassette with an added 'live' instrument.
The method is as follows:
1) Create two separate programs each using all 8 (2-channel)
voices which if they could be played simultaneously would create a 16-voice
piece.
2) Program 1 should have an audible 'click-track' as a
leader to the actual music piece itself. I use the following:
1 VOICES Drum 96,XXXXXXXXX
followed by the normal program.
3) Record program 1 on to one track of the tape recorder.
Then rewind the tape and switch to another track. Connect pre-amp/headphones
which will enable you to hear what you have already recorded on the first track
while recording on the second.
4) Load Program 2 into the Mixing Desk and select 'ON PAUSE'
via the spacebar.
5) Start recording on the second track - you will hear the
'click-track' through the pre-amp/headphones - keep time with the beat and
after the ninth click press the spacebar to start the transfer of program 2 to
tape. You must press the spacebar exactly on the beat!
6) Rewind the tape and play back both tracks together - they
should be perfect synchronised.
Note: using this method does not give true stereo of course
- but this is often the case with small-scale multi-tracking.
If you have a stereo reverb effects unit, simulated stereo
can be created by feeding the signals from both tracks through the left and
right inputs of the reverb unit when transferring the output of both channels
to cassette tape. This simulation happens because (at least on my reverb unit)
the reverb signals are out of phase at the output stage and therefore tend to
spread out across the sound stage.
Split keyboard volume
Ken Hughes
If you wish to use the excellent split keyboard program from
AMPLINEX 007 with a voice in the left-hand section that is louder than the one
in the right-hand section then simply add an AMP word such as 90 AMP, at the
end of each of the last four lines of 'setup' to adjust the volume.
Editor's note:
More hints please!
Most AMPLE users have learnt a trick or two along the way,
and AMPLINEX wants to share them with those just starting out.
So please don't assume that your idea is too trivial or
obvious - it may be just the help someone else is looking for.
Please send in your hint - simple or sophisticated - in time
for issue 009.
Published in AMPLINEX 008, November 1988