AMPLINEX issue 013 was published in September 1989. Each AMPLINEX magazine is stored as a 200K single-sided 80-track disk image file (.ssd file type). The image can be used to create disks for a BBC Micro or can be loaded into a BBC emulator. For the disks to run, the BBC (real or emulated) must have an AMPLE Nucleus ROM installed and be running the Hybrid Music System.
News and reviews
In this issue's News and Reviews section we have the latest
news from Hybrid Technology as well information about a new source of AMPLE
music discs.
Hybrid Technology news
Hybrid Technology have recently announced a new software
product - the AMPLE toolbox. Unlike previous software releases which were
either hardware-related or music albums, this software consists of a number of utilities
to be used alongside existing software.
Included in the package are a 'professional' text editor, a 'graphics
image designer', a program compiler, and a utility to allow modules to be
stored in Sideways RAM. Some new commands such as MERGE (which appeared, in
error, in the AMPLE Nucleus Programmer Guide) and SEARCH (to find unused words)
will also be included. The package will cost £39.10 and we will be reviewing it
in the next issue of AMPLINEX.
With the release of its latest two music discs, Hybrid
Technology brings its music catalogue to a total of 14, and it appears that
these may be the last releases for some time.
The first of the two new discs is 'Shivering Again' by
AMPLINEX member Michael Harbour. This disc contains twelve pieces of music with
the seasonal theme of cold. One of the pieces ('For a dying man' from AMPLINEX
007) will be already familiar to members.
There are a variety of styles from slow mood music to fast,
up-tempo pieces as well as a number of quirky, comic numbers. All the
arrangements are well thought out (with 'Frostbyte' and 'Running on Ice' being particularly
successful) the result being an album which emphasises the music rather than
the Music 5000 itself.
The second disc is 'Electricity' by Russell Fray. This
contains ten pieces of music, mainly in the pop idiom, with a strong reliance
on simple repetitive melodies and chord sequences. Although the music itself is
often too weak to demand attention, my interest could have been held by some
interesting arrangements or inspired use of instruments or effects. Sadly, the
music is presented in an unimaginative way with a few over-used instruments and
long repetitive passages with little musical development.
In summary, Michael Harbour's disc is good quality music
thoughtfully presented. The disc from Russell Fray is a disappointment - a
rather mediocre example of Music 5000 music.
An example piece from each disc is included in this issue's
Music section.
In his review of the Music 1000 amplifier in AMPLINEX 012,
Tony Walduck commented that he had received no documentation with the unit and that
he 'would expect the minimum acceptable documentation to give the levels and
impedance of all inputs and outputs, and indicate whether the output is
short-circuit protected'.
We have since received from Hybrid Technology a copy of the
Music 1000 specification which they say is included with every unit. This shows
information about each of the sockets and controls (as outlined in Tony Walduck's
review) and gives the following additional information:
Output power: 8W per channel
Speaker impedance: 8-16Ω (20W minimum rating recommended)
Frequency response: 20Hz-20KHz +-3dB
Recommended input level: 100mV RMS
Mix output level: 300mV (100mV at either input)
Input/output connections: Pin 2 0V Pin 3 Left signal Pin 5 Right
signal
Panda Discs
Roy Follett
Panda Discs are the latest in music discs for the Music 500
as well as the Music 5000 and are the brainchild of David King, he of DCT fame.
We were sent a sampler disc for review which has a selection
of tunes taken from the seven volumes currently on sale.
Many of tunes have been written or programmed by AMPLINEX
members - such as Frank Dudley, Bernie Dawson, Andy Knight, and Paul Nuttall.
It is good to see their work being made available in greater quantity than
space in AMPLINEX will allow.
In addition to the seven individual's volumes there is a
further one called 'Children in need compilation Vol 1' whose contents were
donated by the writers. All the profits go to this worthwhile charity. Indeed
there is an appeal for further donations of tunes, in order that a second
volume be produced.
It must be good for AMPLE enthusiasts to have yet another
source of music files, and if you have tunes that you have programmed or
written and which you think are good enough to earn royalties then get in touch
with Panda Discs.
Further details about submission of work and how to purchase
these discs, can be obtained for a SAE from:
Panda Discs
Four Seasons
Tinkers Lane
Brewood
Stafford
ST19 9DE
Four Seasons
Tinkers Lane
Brewood
Stafford
ST19 9DE
See also the Advertisements section of this issue.
Published in AMPLINEX 013, September
1989
Walk of Life
by Aiden BlackComposed by: Dire StraitsI wrote this program to see how close I could get it to the original. The problem is that Dire Straits being the musicians they are, there are so many backing instruments you need a 500-track synthesiser to get them all in. Unfortunately, I do not own such a box, so had to make do with 16. Even so, I don't think I did badly considering it was written in an afternoon.
The mix itself is fairly boring; the program uses one basic mix and the voices change themselves for the verses. I used a small 'mix2' to get back to the original 'intro' mix. If you are lucky, the drum's 'PAN' knob will do a dance in the Mixing Desk! I did this to see how much I could get happening without the program jumping. It also livens up the drum rhythm a bit which is awfully dull. APB |
Source: AMPLINEX 013 disk, file $.WALKLIF |
Published in AMPLINEX 013, September 1989
Voluntary in D minor
by Tim BarrettComposed by: William CroftOn examining the music in the Staff editor, it has only slight similarities with the sheet music I transcribed it from. This is mainly due to the many repeated notes having to be separated by demi-semi-quaver rests in order to be played separately, rather than as a single long note. I feel sure that a more elegant and economical method of achieving this must exist, but I have not yet come across it. Feel free to experiment with it and improve it.
Thanks to Corin Greaves for the organ voice ('church' AMPLINEX 009), and to Mike Dobson for the method of using pictures from outside sources in AMPLE programs by *LOADing them into the Notepad ('Squits' AMPLINEX 011). |
Source: AMPLINEX 013 disk, file $.VOLUNDM |
Published in AMPLINEX 013, September 1989
Running on Ice
by Michael HarbourFrom the album 'Shivering Again' Courtesy of Hybrid Technology Welcome to 'Shivering Again', the first Ample Album by Michael Harbour. Prepare to take a trip into the world of coldness. . !
(nb) The little pictures on the left of the titles are meant to be ice-lollies. |
Source: AMPLINEX 013 disk, file $.RUNNING |
Published in AMPLINEX 013, September 1989
Round the Corner
by Russell FrayFrom the album 'Electricity' Courtesy of Hybrid Technology I was going to write the words for the tune here, but I sat down for one hour trying to think of words to rhyme with corner, but all I could come up with was sauna and yawner(?), which aren't the sort of words that make a tune interesting. So instead, I have decided to write a biography on how ROUND THE CORNER became a hit by the great musician, Fiaret Guygillyer. For the un-educated people out there, he was the greatest musician ever heard of 1990 years ago, 1 year before Jesus was born. He came over the tune one day when he was sitting at home in front of his brand new Yamaha xylophone, made out of 200 sabre toothed tiger teeth.
He put his hands over the keyboard, and suddenly felt his hands start to move by themselves, and you guessed it, they played a tune, which he decided to call 'round the corner', as his wife had just gone round to the corner shop to buy some pterodactyl wings for dinner, and he was starving. Now if you believe that, you'll believe ANYTHING!!!!! T H E E N D |
Source: AMPLINEX 013 disk, file $.ROUND |
Published in AMPLINEX 013, September 1989
Quartertone Study
by Lol TaylorIs this music? It is only since I have had the Music 5000 that I have been able to hear experiments like this.
It is up to you to decide whether it is music or not. You might find the word 'o' useful. I do after using 'mfl' and 'mpl' (Music 5000 User Guide page 117). pp becomes 3o, ff becomes 8o. 'end' is used to get a softer ending. Note that VOL is restored. Otherwise editing can be frustrating if no sound comes out of the speakers. |
Source: AMPLINEX 013 disk, file $.QTONE |
Published in AMPLINEX 013, September 1989
Prelude in G minor
by Allan M GardnerComposed by: RachmaninovOpus 23 No. 5 - Alla Marcia |
Source: AMPLINEX 013 disk, file $.PRELUDE |
Published in AMPLINEX 013, September 1989
Miami Vice
by Ian L HubbardComposed by: Jan Hammer |
Source: AMPLINEX 013 disk, file $.MIAMIVI |
Published in AMPLINEX 013, September 1989
Jumping on a Train
by Mike DobsonComposed by: Atomic EnsembleThis is in fact an abridged version of the original classic track which lasts nearly 6 minutes. There seemed no point in putting in the verses with lyrics and good taste prevents me printing them on the screen.
Everything except the drums were played in real time on the M4000 - but not all at full speed! The vibrato and pitch bending were added afterwards as you will see by looking at the part4's. I'm particularly pleased with my 'synbass4' and 'lead' instruments, feel free to pilfer them for yourself. |
Source: AMPLINEX 013 disk, file $.TRAIN |
Published in AMPLINEX 013, September 1989
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