by Frank DudleyMonster computations |
Source: AMPLINEX 010 disk, file $.SPOOKY |
by Tim SketchleyThis piece uses just temperament as described in my utility in AMPLINEX 006.
To play the piece in equal temperament, type EQUAL. |
Source: AMPLINEX 010 disk, file $.ROSE |
by Ian L HubbardComposed by: Al Di Meola |
Source: AMPLINEX 010 disk, file $.RACEDEV |
by Andrew LeahyComposed by: Henry Mancini |
Source: AMPLINEX 010 disk, file $.PINKPAN |
by Bob OrdComposed by: TraditionalWild Hills o' Wanny & Roslyn Castle THE NORTHUMBRIAN BAGPIPE AND ITS MUSIC ======================================
By Bob Ord Having grown up with the sound of the Northumbrian Pipes in my ears, I wished to reproduce their sound using the Music 5000. Originally descended from a French Court instrument called the "Mussette" and the "English Shuttle Pipe" the Northumbrian Bagpipes are bellows blown rather than mouth blown, and being an indoor instrument they are not as loud as their Highland cousins. Like the Highland Bagpipe the Northumbrian Bagpipe has a chanter on which the melody is played. Unlike the Highland Bagpipe the drones which play an accompaniment, do not lie up against the left shoulder but across the chest. After looking at the waveform of the chanter upon an oscilloscope, I did a Fourier Analysis to extract the required harmonics to produce the sound of the chanter, which resulted in the following instrument definition. 2 CHANS 1 CHAN Clear Flat Soft 120 AMP ON RM 2 POS 2 CHAN Hollow Flat Onoff 120 AMP -2 POS The same procedure was done for the drone which yielded the following: 2 CHANS 1 CHAN Clear Flat Onoff 110 AMP ON RM 2 POS 2 CHAN Hollow Flat Onoff 120 AMP -2 POS As far as realism is concerned the words used to define both the chanter and the drones are sufficient to fool my father. "So what", you say. He makes and plays the Northumbrian Bagpipe. Those of you who would like to use the sound of the Northumbrian Bagpipe in your music will have to bear in mind the following: The seven key Chanter can only play the following notes above middle C. 0:D E +F G A B C +C D +D E +F G A B Hence tunes in the keys of G and D can be played. Since the fingering of the Chanter is a closed fingering (i.e. with fingers on all holes no sound is made from the Chanter), it is possible to score rests and to separate the notes with a small silent delay. For this pause I have used '-2 Len' in the score for the Chanter. I have used the 'Echo' instruction to give the performance of these tunes presence, using one echo with typical reverberation settings. The four Drones are tuned: a) -1:D can be retuned to E b) -1:G can be retuned to A c) 0:D can be retuned to E d) 0:G can be retuned to A All Drones can be turned on or off independently. Scores for the drones generally take the following form: %STAFF SCORE48,3BAR -1:144,G(DG)| number tune bars + 1 FOR(~G(~D~G)|)FOR For a tune in the key of G major. |
Source: AMPLINEX 010 disk, file $.NBAGPIP |
by [unknown contributor]Composed by: Duke EllingtonThis small piece is the result of trying out AMPLE music words with help from various items and features read in AMPLINEX.
There is a random element in the transposition of some instruments, and the playing of a slide. I was after a particular overall sound nearly, but not quite there. |
Source: AMPLINEX 010 disk, file $.MOODIND |
by Simon HillHi! I am, I believe, AMPLINEX's first Electron member. I bought my Music 5000 last December, a few months after they had been released. They are being marketed by P.R.E.S. Ltd which is a company that produces lots of add-ons for the Electron.
I think the synthesiser is wonderful, although I have to say that I have a Slogger Master Ram Board fitted to my machine. This gives me 32K Shadow RAM and fast RAM banks - the Electron has a reputation for being a slow micro. Music plays at the correct speed on the unexpanded Electron, but takes up so much processing time that trying to do anything else (like using the Mixing Desk) becomes a very slow business. Having said that, it is still perfectly usable. Another problem is that the Electron has no Mode 7, so there is a natural lack of memory. This is no problem for me, as I always work in Shadow RAM - but unexpanded owners only have about 9000 bytes free when no editors have been installed (4000 with Mixing Desk). This has the side-effect that all of AMPLINEX's Mode 7 displays look like a dog's dinner and that the AMPLINEX control program does fit in the memory available. Otherwise, the system is identical to that of the BBC and everything I have tried playing on it works perfectly. I don't think that the speed and memory restrictions will be too much of a problem as a vast number of Electron owners have the Master RAM Board. Electrons are being sold with the MRB fitted. Acorn no longer markets them. |
Source: AMPLINEX 010 disk, file $.MARCH |
by The Awfully Nice Software CoThe Awfully Nice Software Co. suddenly realised... well, we can be unhappy. We can be unselfishly unhappy, brooding in our imagination and in our nerves on the anguish felt at this moment by someone else, and we can be selfishly unhappy, brooding upon our own miseries, apathies, worries, upon our own grievances and ailments, upon our wrongs; or we can force ourselves to be happy.
What can be done? Well, we could stop being pretentious! |
Source: AMPLINEX 010 disk, file $.HHC&M |
by F J FornerodComposed by: Hoagy CarmichaelFox trot |
Source: AMPLINEX 010 disk, file $.GEORGIA |
by Bill MellorComposed by: Kid Ory |
Source: AMPLINEX 010 disk, file $.CREOLET |
by Allan M GardnerComposed by: Michael PraetoriusAn early dance piece to use the crumhorn instrument I came across whilst trying to do something else, (I forget what now).
Very simple music but I think it gives the feel of a dance court some 300 years ago. Allan Gardner |
Source: AMPLINEX 010 disk, file $.BOUREE |
by Marcus GoslingThis piece tries to describe the mood and sounds of a train journey by night. The repetitive bass line, "doppler effect" crossing bells, and descending riff are used to create the image. Each part begins at intervals, giving a layered effect. This is also used as the train dies away into the distance.
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Source: AMPLINEX 010 disk, file $.BLUETRN |
by Ian HulinComposed by: Claudio MonteverdiHymn from the Vespers of 1610. For 2-4 part choirs and baroque orchestra |
Source: AMPLINEX 010 disk, file $.VESPERS |
