Rick Cocker
Rick Cocker was one of our reviewers of the Music 2000 MIDI
interface in AMPLINEX 005 (May 1988).
Music 2000 MIDI interface owners should use:
*EXEC U.MIDIjoy
to read this file into AMPLE. It should then be RUN.
% List of words
"RUN" []
"button" []
"harp" []
"info" [] "info2"
[] "info3" []
"info4" [] "info5"
[] "info6" []
"joyval" [] "mix"
[] "mod" []
"play" [] "sig"
[] "sus" []
"swait" []
"uilleann" [] "velact" []
"RUN" [7MODE 6FOR(NL)FOR DISPLAY
% Filename: U.MIDIjoy
%
% Demonstration using the joystick to
% control MIDI and velocity functions.
%
% The piece used is an Irish
% traditional ballad called
% "Eileen Aroon".
%
% Press ESCAPE to end and type
% 'info' for further details.
%
READY 115=T mix sig play
]
"button" [
% test and get value of joystick
% button. Note that this word is not
% active in this piece but included to
% show method.
0 &80 &FFF4 CODE #2 % get value
3 AND #11 % test for
1 #= % button 1 (use 0
% if button 0 )
IF( #11 % if button on
64 MIDICONTROL )IF % then send
% sustain
#2 % discard value
]
"harp" [% harp accompaniment
velact % set velocity on joystick
24,4FOR(-2:FACFACFcafca)FOR gBDGBD
4FOR(-2:FACFACFcafca)FOR
gBDGBD!fACFACFcafcaBDFBDa!gBDGDb
!-eB-EG-Eb!cGCGEc!dADADF!!-eB-EB-EG
!!cGCEGCEGCgec!fACFAC!gBDGBD
2FOR(-2:FACFACFcafca)FOR gBDGBD
!fACFACFcafcaf///^
]
"info" [7MODE 4FOR(NL)FOR DISPLAY
% In this piece the joystick is used
% to control two functions - velocity
% and modulation-wheel effects.
%
% Joysticks work in different ways but
% these simple examples can be used as
% starting points. The programming can
% be much improved as it is included
% here purely for demonstration.
%
% Note that the velocity word if
% scaled 0-64 could be used by Music
% 5000 voices.
%
% **
Press SPACE BAR to continue **
#IN #2 info2
]
"info2" [7MODE 4FOR(NL)FOR DISPLAY
% Both axes are being used but in
% different ways:
%
% 1) The horizontal axis controls
% velocity (=L) using the ACT command
% found in the word 'velact' placed
% prior to the 'harp' music in part 1.
%
% 2) The vertical axis is controlling
% modulation effects found in the word
% 'mod'. In this piece I am using
% SHARE to place the modulation effect
% on part 2.
%
% **
Press SPACE BAR to continue **
#IN #2 info3
]
"info3" [7MODE 4FOR(NL)FOR DISPLAY
% I have placed the word 'mod' after
% the play (P) structure to show that
% it can be used on the non-playing
% part. This would leave all playing
% parts for music notation. It could
% of course be used in a normal part.
%
% Although not used in this piece I
% have included the word 'button'
% which tests to see if the
% joystick's fire-button is being
% pressed. When pressed it turns on
% the instruments' sustain.
%
% **
Press SPACE BAR to continue **
#IN #2 info4
]
"info4" [7MODE 4FOR(NL)FOR DISPLAY
% Note: any MIDI control, which uses a
% flag (ON/OFF) to activate it, may be
% controlled by the fire-button.
%
% Likewise, any MIDI control with a
% data value 0-127 may be controlled
% by the joystick e.g. Breath control,
% Velocity, Portamento Time. You can
% also send out system-exclusive data
% e.g. Glide-time on a Casio CZ.
% However, if the instrument is slow
% to respond to some commands it could
% give rise to synching problems.
%
% **
Press SPACE BAR to continue **
#IN #2 info5
]
"info5" [7MODE 4FOR(NL)FOR DISPLAY
% Note: The values produced by joyval
% are 0-126. 0 is produced instead of
% 127 because of AMPLE's use of 16-bit
% signed integers. To stop this use:
%
% "store"[GVAR] % old value
store
% "joyval"[&80 &FFF4 CODE #2 512 #/ #2
% #11 0 #= IF( % If 0 compare to
% store #? SIGN #= % old value's SIGN
% IF(0)ELSE(-1)IF % neg? =0 pos? =-1
% )IF #11 store #! % store it.
% #11 SIGN IF(-1 #* 127 XOR )IF ]
%
% **
Press SPACE BAR to continue **
#IN #2 info6
]
"info6" [7MODE 4FOR(NL)FOR DISPLAY
% I have been unable to obtain 127 at
% the highest end of the joystick! Can
% anyone solve this? Joysticks are
% unreliable when at extremes. Is all
% that clear? Ah well...
%
% AMPLINEX has shown that there are
% many good music programmers using
% AMPLE so please experiment and if
% you come up with useful routines
% post them off. Adding real-time
% sound control to the Hybrid Music
% System for me offers many exciting
% possibilities.
%
% Rick Cocker (April 1988)
]
"joyval" [
% axisnumber joyval -> valuenumber
swait
&80 &FFF4 CODE #2 % get value
512 #/ #2 % scale to 63 to -64
#11 SIGN % test for negative
IF( -1 #* 127 XOR )IF
% scale to 64 to 126
]
"mix" [% set up mix for MIDI voices
1 SHARE 8 VOICES MIDIV 1 MIDICHANNEL
2 SHARE 8 VOICES MIDIV 2 MIDICHANNEL
PNUM SHARE
]
"mod" [% takes vertical joystick value
% for modulation control
2 SHARE % share with part2
REP(
REP( IDLE % pass control to
% other players
2 joyval #11 % get joystick value
1 MIDICONTROL % set control
)UNTIL( )REP
)REP
]
"play" [% play 2 parts
1 P( harp )P % includes ACT command
% "velact" for
velocity
2 P( uilleann )P
GO
mod % modulation on part2
]
"sig" [K(-B)K
]
"sus" [% flag sus
64 MIDICONTROL % if ON (-1) turn
% sustain control on
]
"swait" [% waits until last DURATION
% (or music event) complete
REP( QTIME 0 #< )UNTIL( IDLE )REP
]
"uilleann" [% uilleann pipe plays tune
288,/ 48,
0:F12,//G/f/d/|c/////F/G/fG|48,A
//|///|c/D|F12,//G/48,A|g12,//Agf/d/
|48,F12,//G/f/d/|48,c//|F12,//G/f/d/
|48,c12,//F/G/fG|48,A//|///|A/g|f12,
//G/48,A|g12,//Agf/e/|48,F//|^FA|B/
a|g/d|-E12,//F/-e/d/|48,c//|12,G/fG
48,A12,d///|48,-E12,//F/-e/d/|48,c//
|12,////48,//|12,A/gAC/D/c/a/|f/d/c/
D/F/G/|48,A//|///|c/D|F12,//G/48,A|g
12,//Agf/e/|48,F//|0,^
]
"velact" [% set ACT to receive
% joystick value and put on velocity
% only if gate is on
30 ACT(
5 FVAR #? % get gate voice
6 FVAR #? % get gate value
AND % voice number if ON gate
VOICE % OFF if OFF GATE/no gate
1 joyval =L % set new velocity value
ACT )ACT
]
